New York, NY

In his second solo exhibition in New York City, Spanish artist Andrés Mérida presents 20 new paintings and drawings produced in his studio in Brooklyn over the course of two months in the lead up to opening day.

New York-based writers discuss their literature and the way Spanglish influenced their conception in a talk moderated by Alberto Ferreras.

Amigos de la Zarzuela presents an anthology of “romanzas”, ensembles and “zarzuela” at Carnegie Hall’s Weill Recital Hall.

Rosana presents her latest album “En la memoria de la piel” (“In the Memory of the Skin”) as an acoustic set.

Spanish comic book artist and illustrator Belén Ortega is featured in the 3rd edition of the conference Bitter Laughter, which brings the boldest and most controversial cartoonists from Latin America and Spain to New York City.

This panel discussion addresses the singularities of outdoors urban sculpture in the United States and, specifically, the commitment of New York City to public art.

The 2018 White Wave Dance Festival premieres “Framing Time” by choreographer and dancer Cesc Gelabert.

12 year-old Spanish pianist Pelayo Garrido won first place at the Golden Classical Music Awards and plays at the award ceremony at Carnegie Hall.

Senra presents his video art works “Auslandia” and “Kommune” in a screening and panel discussion with filmmaker Ruth Somalo.

The film series traces 10 years of Catalan cinema and includes filmmakers such as Pere Portabella and Antoni Ribas.

The film by Gustavo Sánchez premieres at this year’s edition of this leading LGBT New York film festival.

“Mujer(es)” is an all-female Flamenco theatrical performance that explores and celebrates the role of women in all facets of Flamenco.

Coolture Impact is the largest interactive public art platform that intertwines reality and fantasy on the windows of the Port Authority Bus Terminal in Times Square.

Dr. Miriam Basilio, Associate Professor of Art History and Museum Studies at NYU, talks about Franco’s imagery in its propaganda campaigns.

Directed by Carmen Torres, “Dawn” will be screened at this year’s Margaret Mead Film Festival at the American Museum of Natural History.

Elena Bajo’s choreographic project explores the intersection of sculpture, performance and text, and uses non-hierarchical trajectories as a tool to articulate a sense of subjectivity and collectivity, and the creation of a space in constant flux.