Events on November 25, 2017

Spanish contemporary music band De La Purissima make their U.S. debut in Los Angeles with an intimate ensemble.

“Snowbound” highlights the incredible sculptural work of artists Walter Martin and Paloma Muñoz.

The Academy Art Museum at Easton presents Francisco de Goya’s “Los Caprichos” in parallel with artist Emily Lombardo’s homage to this series of etchings.

The Philadelphia Museum of Art honors acclaimed Spanish designer Patricia Urquiola with this exhibit and the Design Excellence Award.

Maider López’s work focuses on interrupting norms in space and architecture, inviting the audience to experience common spaces in novel and potentially rewarding ways.

Typography’s value has risen in all artistic fields thanks to the works of graphic designers. This exhibition shows, through the work of some of the best studios, that the conversation between typography and graphic design is especially alive in the contemporary Spanish scene.

Chief Curator Xavier F. Salomon examines works by Spain’s most celebrated artists belonging to the Frick Collection.

After FotoWeekDC 2017, the project dedicated to the Canary Islanders community in Louisiana by Thenesoya Martín de la Nuez and Aníbal Martel remains open until December 9, 2017.

D.C.-based Theatre Company We Happy Few presents “The Dog in the Manger,” one of the best-known plays by Spanish Golden Age playwright Lope de Vega.

Spanish photographer Jesús Chamizo is best known for his architecture series, building images based on the emotions that space produces through lines, angles, light, perspectives and shapes.

Artistic director Leyma López presents a series of staged readings written by Spanish female playwrights.

This photography exhibition depicts how Ibero-American countries have opened up to foreign people, celebrating the diversity that have led to today’s merged cultures.

In this exhibition, Spanish artist Beatriz Ruibal reflects on her career-long aesthetic research into the impossibility of recreating the affective memory that shapes us.

This exhibition conmemorates the IV Centenary of the birth of Baroque painter of the Spanish Golden Age, Esteban Murillo, born in Seville in 1617.

New York-based artist Sergio Prego creates unfamiliar perceptual and spatial situations in order to examine contemporary realms of experience, taking inspiration from the performative or experiential turn of the 1960s.

In this comedy from Spain’s Golden Age, playwright Ana Caro criticizes the customs of her era and the position of women in the social order while ridiculing through parody the erotic myth of Don Juan.