Events on September 12, 2018

On view for the first time since its acquisition by the museum in 2017, a rare complete set of the lithographic prints offers a contrasting complement to “Dalí: Poetics of the Small, 1929–1936.”

Nearly two dozen Surrealist masterpieces comprise the first focused exploration of the small-scale paintings by Salvador Dalí.

The exhibition presents the large-scale projections of video artist Sánchez at her first solo show with The Cluster Gallery.

Continuing with his challenge to the nature and current state of artistic disciplines, in “Now, Soon, Then, Tomorrow,” Guillermo Mora playfully presents an inventive, almost surreal, conception of contemporary painting in four site-specific installations.

A selected group Spanish artists participate in an exhibition that explores the different takes on climate change through thought-provoking and poetic interpretations.

This summer Spanish pianist and composer Eva Novoa performs two concerts with two different bands, one of them being her new trio.

“Correspondence” features a new series of weaving-objects through which artist Ana Esteve Llorens explores the relation between abstraction, memory and the process of making.

The public sculpture entitled “Link” will be installed on Flatiron Plaza North as part of the exhibition “Jorge Palacios at The Noguchi Museum.”

Major works from the “Caprichos” by Francisco de Goya, a series of etchings showing powerful social commentary, are included in the NGA exhibition.

“Heavy Metal,” the fifth installment in NMWA’s Women to Watch exhibition series, showcases contemporary artists working in metal, and includes works by Spanish sculptor Blanca Muñoz.

The Meadows Museum presents a focused summer exhibition pairing its recent acquisition “Beach at Portici” (1874), by Mariano Fortuny y Marsal, with a loan from the Amon Carter Museum of American Art, “Idle Hours” (1894), by William Merritt Chase.

This exhibition features more than 40 masterpieces of Spanish painting drawn from major collections in Madrid, including the Prado, San Fernando Royal Academy of Fine Arts Museum, and the Reina Sofia, complemented by a select group of works from American museums.

“A Transparent Leaf instead of The Mouth” is the first institutional solo exhibition of work by Spanish artist Daniel Steegmann Mangrané in the United States.

“Designing America” presents the decisive contribution of Spain to the construction and planning of the territory, the landscape and the U.S. cities, from the first settlements until today.

The exhibition features 41 photos that take viewers on a journey through Dalí’s beloved Catalonian coastline, with images ranging from an intimate 2 feet to a panoramic 8 feet in width.

This exhibition features 140 handwritten letters, manuscripts, and documents of illustrious figures in history and the arts spanning nine centuries.